New York City in the 1970s and ‘80s was a deliciously decadent time and place where art, gender, and sexuality came together in a miasma of creative energies. As the gay rights movement ushered in a new era, a new sense of expression took hold as gender became an area ripe for exploration. The ideas of masculine, feminine, and androgynous began to capture the imagination of visual and performing artists. Musicians lead the way, as crossdressing came out of the closet and groups like the New York Dolls took advantage of it’s curious effect on their female fans. It was an era of gender fluidity and sexual freedom which held to a deep abiding sense of “anything goes” as bath houses and clubs like Plato’s Retreat flourished in the city.
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Andy Warhol and Robert Mapplethorpe were two of the most significant artists in New York at this time. As portrait artists, both engaged with gender, identity, sexuality, beauty, performance, and disguise in their lives and their work, revealing the intricacies and nuances of the many-splendored personalities that populated the city then. Each artist focused on their subjects as a means to discovering their truth in a complex series of questions that directly and comfortably challenge the viewer.
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