In 1982, Aperture published Uncommon Places by Stephen Shore, a collection of large-format color photographs exploring the American vernacular landscape from an entirely new point of view—one that embraced the ethos of mid-century populism. It offered a fresh take on modernism, embracing the spectacle of the mundane, the glorious humdrum of the nation under soaring blue skies and wide open terrain. It enlivened the eye and the mind to a sense of the sheer magnificence of that which we see everyday though we may never really look.
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Uncommon Places, which has since been expanded and reissued several times over the past 35 years, has influenced a generation of photographers to look at the landscape where they are. In the past five years Shore has returned to his archive to delve more deeply within the works that he produced during the period from 1973 to 1981. He then brought the unseen works to Aperture, who invited an international group of 15 photographers, curators, authors, and cultural figures including Wes Anderson, Francine Prose, Ed Ruscha, Taryn Simon, and Lynne Tillman to select ten images each to create a series of portfolios collected in the new book Stephen Shore: Selected Works, 1971-1981.
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