Keith Thompson, a homeless activist, and his supporters demonstrate for affordable housing on Avenue B, August 1989. Copyright Q. Sakamaki.

On Avenue A in front of the park, protesters hurl bottles at police. May 27, 1991. Copyright Q. Sakamaki.

New York City’s East Village has been home to artists, anarchists, and activists for generations. But by the summer of 1988, ravaged by the twin plagues of crack and AIDS, the neighborhood’s Tompkins Square Park became an ad-hoc camp for homeless people, squatters, punks, drug dealers, and users. In an effort to assert control, the Parks Department enforced a 1 AM curfew in the previously 24-hour park, sparking outrage.

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Thirty years ago this week, on August 6, protesters occupied the park wielding signs that read, “Gentrification Is Class War, Fight Back” and chanting, “It’s our fucking park, you don’t live here!” Bottles were thrown. Police Captain Gerald McNamara called in backup, and 400 NYPD officers showed up in riot gear.

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Many officers concealed or removed their badges as they clubbed protesters and bystanders. The riot lasted until 6 AM, and more than 100 police brutality complaints were logged afterwards. Fourteen officers faced charges, but none were convicted. Police Commissioner Benjamin Ward went on record to state that the NYPD was responsible for inciting a riot.

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Japanese photographer Q. Sakamaki was living in an apartment near the park at the time, and he began documenting the Tompkins Square Park movement, which went on for years. It came to an end following the 1991 Memorial Day riot, when the park was forcibly closed and the homeless encampments, known as Dinkinsville, were razed.

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Sakamaki’s photographs, published in Tompkins Square Park (powerHouse Books) crystallize this turning point in New York City history, as gentrification began to replace benign neglect. VICE caught up with Sakamaki to reflect on the 30th anniversary of the riots and how New York has changed in the intervening decades.

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A homeless man in front of his encampment. June 1991. Copyright Q. Sakamaki.

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