Muhammad Ali and LeRoy Neiman were a match made in heaven. When the two met here on earth, they changed the art of boxing forever. A new exhibition, Muhammad Ali, LeRoy Neiman, and the Art of Boxing, currently on view at the New-York Historical Society now through March 26, 2017, celebrates their winning combination.
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LeRoy Neiman (1921–2012) began working as an illustrator for Playboy in 1954, just a year after the magazine launched, becoming a seminal contributor that gave the publication its look and feel outside of the seductive photographs. Neiman’s style, which could best be described as American Impressionism, was bold, rugged, and captivating, keeping painting and drawing fresh at a time when photography was replacing illustration in the print media.
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Neiman regularly covered athletic events, and in 1964, he found himself at the World Heavyweight Championship between Sonny Liston, the title-holder, and Cassius Claw, the No. 1 Contender. In his seminal volume, LeRoy Neiman Sketchbook (powerHouse Books), Neiman writes, “The two black American prizefighters were about to play out their parts as only the times could have scripted them, a good guy and a bad fut. Only who was who?”
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