Mel Odom, Birthmark, 1978

Growing up in Mayberry, North Carolina, in the 1950s and 60s, artist Mel Odom would sneak out of his room after his parents went to sleep, turn the TV down low, and watch old movies late into the night. Mesmerised by the sleek yet sensuous art deco aesthetic that defined old Hollywood glamour, Odom revelled in the cool sexuality that smoldered under the glimmering surface of these films.

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Intuitively he brought this sensibility to his work as an illustrator, a passion that took root when he was just three or four years old. Born to a mailman and a housewife living in a small town, Odom found solace in drawing his own world. “As an adult I realised whenever there was something traumatic going on in the family or in my life, drawing where was where I would go to exhibit some sense of control,” he tells AnOther. “I would go to my room and draw for hours. My parents understood it was something that meant a great deal to me, so I had lessons from the time I was seven years old.”

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After receiving his first commission in third or fourth grade to draw 36 place cards for a school event, Odom understood he could make money doing what he loved. It’s a passion that he’s pursued throughout his life, one that he reflects back on in the new two-part exhibition, Mel Odom: Hard Stuff, now on view online and at the Tom of Finland Store in Los Angeles. For the exhibition, Odom brings together 100 drawings made between 1975 and 2019 that showcase his wholly original approach to illustration.

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Mel Odom, Rayford, 1979
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