Luis and Virginia, 1985. Courtesy of John Ahearn.
Life on Dawson Street KBA Studio, 1982-3. Courtesy of John Ahearn.
During the ’70s, the South Bronx became the face of urban blight, as the federal government systematically denied basic services to Black and Latinx communities under the Nixon White House policy of “benign neglect.”
.
As neighbourhoods fell into extreme states of poverty, crime, and disrepair, landlords realised they would make more money torching their buildings and recouping the insurance money than they ever could from rent — leaving the South Bronx with vast swaths of empty lots, burned out buildings, and mounds of rubble.
.
The stark struggle for survival experienced by regular people in the Bronx inspired artists to create incredible feats, like John Fekner’s epic stencils, Gordon Matta-Clark’s first architectural interventions, and the explosion of graffiti across whole cars. In the late 1970s, Stefan Eins moved his gallery, Fashion MODA to Third Avenue near 147th Street and the Hub in the heart of the South Bronx, where he began exhibiting emerging downtown artists like David Wojnarowicz, Keith Haring, and Jenny Holzer, as well as graffiti artists such as Richard Hambleton, John Crash Matos, and Chris Daze Ellis.
.
Read the Full Story at Huck Online
.
South Bronx Hall of Fame Walton Street Sidewalk Studio. Courtesy of John Ahearn.
Janelle and Audrey, 1983. Courtesy of John Ahearn