Jamil Hellu, “I am a queer black person. As a descendant of the Southern slave trade, I’m flipping the script of patriarchy,” avows Beatrice Thomas. “Like the Black Panthers, I’m a protector of my community, claiming female power.”, 2019.


Before the onslaught of gentrification, the San Francisco Bay Area was one of the most radical cities in the nation. With the advent of the jazz scene and the Beat poets of North Beach, the hippie counterculture of Haight-Asbury, the Gay Rights Movement in the Castro District, and the punk scene of the 1970s, San Francisco was one of the rare places where the fringe was always centered.

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Although the city has changed radically with the tech boom, there still remain radical enclaves. Deep in the mix is photographer Jamil Hellu, who has developed a distinct visual vocabulary examining the intersections of cultural lineages and queerness over the past decade.

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His new exhibition, Together, now on view at SF Camerawork through March 14, 2020, explores issues of identity relating to race, gender, and sexuality. The exhibition features photographs and video installations that highlight Hellu’s use of self-portraiture and representations of queer visibility engaging the Bay Area’s diverse LGBTQ communities to create a symphony of contrasting queer voices that co-exist simultaneously.

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Read the Full Story at Feature Shoot

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Jamil Hellu, Lark Alder grew up in Southern California feeling ostracized from the surf beach culture for being a queer woman. “Surfing is about finding balance. When you are on the wave, you are on a liminal space: in between. I associate that to being queer.”, 2019.
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