For half a century, Jamie Reid has done it his way, on his own terms, refusing to kowtow to the establishment and its pompous self-regard. Under his careful eye, art becomes a vehicle for anarchy, subversion, and resistance against the powers that be.
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Now, for the first time in his career, Reid is the subject of a major retrospective: XXXXX: Fifty Years of Subversion and the Spirit. The show brings together collage, drawings, paintings, prints, posters, photographs, film, and installation work made over half a century. So why now? “I haven’t been asked before,” Reid says, before casually adding that he did not begin selling his work until a decade ago.
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Most famous for sticking a safety pin through the Queen’s nose, desecrating the Union Jack, and crafting the ransom note letter styling of the Sex Pistols’ graphics, Reid has been a pivotal figure in the establishment of punk. His work helped shape the movement into not only a form of music, fashion and art, but into a philosophy predicated on the notion that capitalism is the biggest scam going today.
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