Artwork: Jacob Lawrence. The Migration Series. 1940-41. Panel 15: “Another cause was lynching. It was found that where there had been a lynching, the people who were reluctant to leave at first left immediately after this.” Casein tempera on hardboard, 18 x 12″ (45.7 x 30.5 cm). The Phillips Collection, Washington D.C. Acquired 1942. © 2015 The Jacob and Gwendolyn Knight Lawrence Foundation, Seattle / Artists Rights Society (ARS), New York. Photograph courtesy The Phillips Collection, Washington D.C.

Artwork: Jacob Lawrence. The Migration Series. 1940-41. Panel 15: “Another cause was lynching. It was found that where there had been a lynching, the people who were reluctant to leave at first left immediately after this.” Casein tempera on hardboard, 18 x 12″ (45.7 x 30.5 cm). The Phillips Collection, Washington D.C. Acquired 1942. © 2015 The Jacob and Gwendolyn Knight Lawrence Foundation, Seattle / Artists Rights Society (ARS), New York. Photograph courtesy The Phillips Collection, Washington D.C.

Over a period of six decades, more than six million African Americans moved from fourteen states in the South, seeking a better life for themselves and their families in the Northeast, Midwest, and West parts of the country. The first wave of the Great Migration occurred between 1910-1930, as about 1.6 million people left rural areas and moved to industrial cities in search of work.

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The Great Migration was one of the largest, most rapid movements in history. Spurned on by acts of homegrown terrorism including lynching, murder, and church burnings, as well as apartheid under Jim Crow laws, African Americans became refugees in their own country.

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Jacob Lawrence. The Migration Series. 1940-41. Panel 58: “In the North the Negro had better educational facilities.” Casein tempera on hardboard, 18 x 12″ (45.7 x 30.5 cm). The Museum of Modern Art, New York. Gift of Mrs. David M. Levy. © 2015 The Jacob and Gwendolyn Knight Lawrence Foundation, Seattle / Artists Rights Society (ARS), New York. Digital image © The Museum of Modern Art/Licensed by SCALA / Art Resource, NY

Jacob Lawrence. The Migration Series. 1940-41. Panel 58: “In the North the Negro had better educational facilities.” Casein tempera on hardboard, 18 x 12″ (45.7 x 30.5 cm). The Museum of Modern Art, New York. Gift of Mrs. David M. Levy. © 2015 The Jacob and Gwendolyn Knight Lawrence Foundation, Seattle / Artists Rights Society (ARS), New York. Digital image © The Museum of Modern Art/Licensed by SCALA / Art Resource, NY

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