Arlene Gottfried. Striped Woman at Studio 54, NY, 1979.

“Art was always a part of my life,” says gallerist Bene Taschen, the son of world-renowned German book publisher Benedikt Taschen. “Growing up [in Cologne], I was surrounded by photographers and met great artists working with my father, like Helmut Newton. It was a blessing to have this as a part of my daily life. It was inspiring to be surrounded by art in any form.”

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In 2011, an unexpected twist of fate provided Taschen with the opportunity to strike out on his own. He learned that a German exhibition planned for his friend, American photographer Gregory Bojorquez, had been cancelled. “That made me frustrated, so I decided to organise the exhibition myself,” says Taschen. “I didn’t have much gallery experience, but I had a passion for photography and a desire to create a good show that would excite and inspire people who saw it.”

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Titled Streets of LA, the exhibition, which was first exhibited in Berlin in September 2011, then Cologne in November 2011, celebrated the people of Bojorquez’s hometown through the lens of an insider: a vantage point that Taschen finds profoundly compelling as a gallerist. “Curating is a very personal experience, and I’m always trying to create something that expresses how I feel and makes me happy,” he says. “The selection of images can tell a story of the artist and their work, but it has to look good together on the wall. I may choose works for different reasons but it has to be visually convincing when it is hung. You can’t just throw 35 photographs in the room and call it an exhibition.”

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Read the Full Story at British Journal of Photography

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Miron Zownir. NYC 1982
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