Guillaume Ziccarelli. Shalu, Manisha, Rishika, 2020.
Guillaume Ziccarelli. Kinnar Alter, 2020.

Every 12 years, the sacred Kumbh Mela festival takes place across four riverbank pilgrimage sites across India. In 2019, transgender Sadhus – holy, religious ascetics in the Hindu and Jain tradition – were allowed to participate in the festival for the very first time. 

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Although Hindu traditional myth looks favourably upon India’s trans individuals, British colonial rule outlawed homosexuality and, by extension, criminalised transgender people. 

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However, in a landmark Supreme Court ruling in 2014, India became the very first nation to recognise trans as a third gender. Yet trans people in India still face discrimination, violence and abuse as the stain of Western imperialism lingers long after the country’s independence. 

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In the new exhibition, The Holy Third Gender: Kinnar Sadhu, French photographer and cinematographer Guillaume Ziccarelli travelled to Allahabad to document their controversial initiation into Kumbh Mela as spiritual leaders akin to saints. 

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Guillaume Ziccarelli. Shalu, 2020.
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