On June 16, 1964, Rudi Gernreich’s infamous monokini went on sale in New York’s most prestigious department stores. Buyers at B. Altman & Co., Lord & Taylor, Henri Bendel, Abraham & Strauss, Splendiferous and Parisette placed orders after William Claxton’s photograph of Peggy Moffit rocked the pop culture landscape.
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Moffit was Gernreich’s muse and Claxton’s wife, and together this ménage a trios was pure fire. The idea for the monokini first came to Gernreich in December 1962 and first appeared in futuristic fashion feature in a late 1963 issue of Look magazine — after LIFE refused to publish them. In The Rudy Gernreich Book, Moffit recalls the editor at LIFE shamelessly told Claxton, “This is a family magazine, and naked breasts are allowed only if the woman is an aborigine.”
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LIFE’s racist policy about women’s bodies cost them one of the biggest news stories of the year. They “goofed” Moffitt politely says. The magazine ordered a reshoot, demanding Moffitt cover her breasts with her arms. Moffitt described their art direction as “dirty.”
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