Duncan Hannah with his painting My Funny Valentine, 1981
When Duncan Hannah arrived in New York in 1971, he could have walked out of the pages of Oscar Wilde’s The Picture of Dorian Gray. With big eyes and high cheekbones, Hannah’s androgynous beauty attracted the attention of the city’s prominent women and gay men, who didn’t let his resolute heterosexuality get in the way of their relentless pursuit.
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As an aspiring artist coming of age during a mythical time when glam rock, punk, and new wave transformed the underground, Hannah found himself at the center of it all, feeding an insatiable appetite for the finer things in life: sex, drugs, alcohol, parties, and art. Whether partying with Television at CBGB, starring in Amos Poe’s underground film Unmade Beds, or serving as a muse to Patti Smith, Hannah was always in the mix.
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Throughout it all, he kept a series of handwritten journals filled with cameos by everyone from David Bowie, Iggy Pop, Richard Hell, and Debbie Harry to Andy Warhol, David Hockney, Nico, and Lou Reed. Their pages, filled with gritty, evocative memories from the 70s, were collected and edited into Hannah’s new book, Twentieth Century Boy: Notebooks of the 1970s (Knopf, March 13).
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VICE asked Hannah to take us on a tour of New York through its most debauched decade—an era when punk became a catalyst for cultural revolution.
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The Talking Heads, Andy Warhol, and Duncan Hannah (second from right) at The Factory. Photographed by Lance Loud, 1976