Artwork: David Wojnarowicz with Tom Warren, Self-Portrait of David Wojnarowicz. Collection of Brooke Garber Neidich and Daniel Neidich, Photography Ron Amstutz

At the pinnacle of his career, American artist David Wojnarowicz (1954-1992) was the preeminent symbol the 1980s East Village art scene. Like his contemporaries Kathy Acker, Jenny Holzer, and Barbara Kruger, Wojnarowicz used art as a form of resistance and to unravel the mythical image of America.

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Wojnarowicz came of age in New York City, where he was the victim of shockingly brutal childhood abuse. Pushed to the margins, he became a street hustler in his teens in order to survive. By the late 1970s, as a new avant-garde street culture came into vogue, propelled by the DIY ethos of punk, hip hop, No Wave, and graffiti, Wojnarowicz began to create art as a vehicle for political activism, rebellion, and rage against the institutions that oppressed and exploited the vulnerable.

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Over a period of about 15 years, Wojnarowicz produced a body of work that was innovative as it was excoriating, working across a range of media – including photography, painting, collage, music, film, sculpture, writing, and performance – using art as a tool of exploration and a weapon to fight the power structure. An AIDS activist until his dying day, Wojnarowicz posed some challenging questions about American culture and history, tearing apart the respectability politics of polite society in search of the truth.

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His death on July 22, 1992, which was caused by AIDS-related illness, cut short the life of one most incendiary artists of our time – he was just 37. Now, in celebration of his legacy, the Whitney Museum of American Art, New York, presents David Wojnarowicz: History Keeps Me Awake at Night (July 13 – September 30, 2018), which will be accompanied by a catalogue of the same name published by Yale University Press. Here, we spotlight everything you need to know about David Wojnarowicz.

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Read the Full Story at AnOther Man

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David Wojnarowicz, History Keeps Me Awake at Night (For Rilo Chmielorz), 1986

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