Christopher Makos. Hawaiian Shirt, 1976.

At the outset of his artistic career in 1976, May Ray imparted upon American photographerChristopher Makos a simple ethos to make great work: “obey your instinct” – a directive that has served him well over the years.

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Infused with a delectable mix of confidence, charisma, and striking beauty, Makos returned to New York ready to take the city by storm. The following year he published his first monograph, White Trash, a bold and beguiling collection of photos documenting the punk scene that effortlessly mixed high and low society with all the verve of a bright young thing.

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Andy Warhol took notice and soon the two became friends and collaborators. When editor Bob Colacello departed Interview magazine in 1983, leaving his ‘Out’ column behind, Warhol suggested Makos start a column called ‘In’. Soon New York’s finest found their way to Makos’ studio, ready to bare it all.

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“I remember at the time, if I had a model in front of me and if I didn’t ask him or her to undress they were so disappointed like, ‘Did I not make the grade?’” Makos tells AnOther. “When I look at some of these pictures now, I think about TikTok and Instagram, I was way ahead of the curve there because so many of these pictures of these sexy boys and girls; they’re of the moment now.”

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Read the Full Story at AnOther

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Christopher Makos. Keven Kendall Red Bikini Polaroid, 1986.
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