The Queen of Salsa, the incomparable Celia Cruz (1925-2003) is now the subject of Celia, an epic television series now airing on Netflix showcasing the Cuban singer’s incredible life. Featuring 80 episodes, each 45 minutes in length, the series, which originally aired in 2015 in Colombia on RCN Television and in the United States on Telemundo, tells the story of Cruz’s rise to fame in Spanish, with English subtitles.
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Celia stars Puerto Rican actress and Miami Beach resident Jeimy Osorio as the legendary entertainer with fellow Boricua actor Modesto Lacén cast as her husband, Pedro Knight. Directed by Victor Mallarino and Liliana Bocanegra, and scripted by Andrés Salgado, Celia tells the story of the singer’s rise to fame, beginning in pre-revolution Havana, when Salsa music was a white man’s game.
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Contemporary African art has come to the fore, giving us exquisite insights into the intricacies, nuances, and aesthetics of the oldest peoples on earth. But Africa is not a country; it is a continent as rich and diverse as the DNA of the peoples, who possess the greatest variety in the world. Its arts reflect this in whatever form they may take, providing poetic and philosophical vantage points by which we may consider a wide array of experiences.
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Photography has been an integral part of the aesthetic landscape since its inception in the nineteenth century. Throughout the twentieth-century we have seen portrait photographers such as Malick Sidibé amd Seydou Keita rise in prominence, such is the power of their work to capture the soul of Mali on silver gelatin paper.
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Their success and influence has become a tremendous draw to other great portrait photographers working in other countries. MATE – Museo Mario Testino, Lima, Peru, is particularly attuned to the great photographers of our time. For the third edition of Maestros se la Fotografía, MATE presents Hamidou Maiga, on view now through October 2, 2016. The exhibition features a selection of 36 black-and-white photographs made by the 84 year-old artist made between 1962–1973.
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Antonio López is a Nuyorican legend. Born in Utado, Puerto Rico in 1943, he was just two years old when he began to sketch dresses from fabric his mother had given him. At the age of seven, his family moved to New York City, Spanish Harlem to be exact. Back in the days, the neighborhood was riddled with gangs as brilliantly depicted in Piri Thomas’s memoir, Down These Mean Streets. To keep her son off the streets, López’s mother, a seamstress, asked him to draw flowers for her embroideries. He also helped his father, a mannequin maker, to apply make-up an stitch wigs on to figures.
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Such home training portended beautifully, as López earned a scholarship to the prestigious Traphagen School of Fashion, which provided Saturday programming for children. From there he went on to attend the High School of Art and Design and the Fashion Institute of Technology. While at F.IT., he began an internship at Women’s Wear Daily, which lead to a position on staff. He left school, and that’s when everything began.
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Check Out
Art Basel Miami Beach 2015
Coverage at Crave Online
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A few highlights from the week include:
Julio Larraz describes the vivid images that he paints as visions that come to him as dreams he sees during the day. These images may come on and off over the years, though some, Larraz reveals, “are recent ones, other are long-time friends. There is a mixture of it. I don’t like to do theme works. I prefer to take something and see it from fresh eyes, rather than see it forever.”
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The result is a distinctive mélange of dynamic imagery that makes for an incredible collection of work, offering something for everyone in a delightful compendium of endless innovation. From seascapes, landscapes, and aerial views to still lifes, imaginary portraits, and other figurative works, the work of Julio Larraz takes us into a fantastic world brimming with an elegance, grace, wit, and charm.
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Nicola Lo Calzo has dedicated himself to Cham, a long-term photographic project exploring the living memories of colonial slavery and anti-slavery struggles around the world. From this larger undertaking, Lo Calzo has just released Obia (Kehrer Verlag), a powerful study of the Maroon peoples of Suriname and French Guiana.
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Maroons (from the Latin American Spanish word cimarrón: “feral animal, fugitive, runaway”) were African refugees who escaped from slavery in the Americas and formed independent settlements on both continents. The Maroon people of Dutch Guiana (now Suriname) escaped plantations and settled in the forests, surviving against the odds. They defended themselves against armed troops sent by the government, defying colonial order and the system of slavery. Maroons who were captured suffered dire consequences, yet despite the repression, the Maroon communities retained their sovereignty and signed their first treat in 1760.
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The history of the Maroon peoples remains one hidden from public view, yet they flourished across the Americas with communities in Louisiana, Jamaica, Cuba, Haiti, Colombia, and Brazil. The word Obia is originally an Akan word, specifically attributed to the Fanti, and points to a belief system of the Maroon peoples since their arrival from West Africa. With Obia, Lo Calzo considers the relationship between the past and the present, exploring the magical-religious legacy of the culture and the new challenges that stem from modernity.
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