The beauty of an exhibition is that you must go to it. You must be in its presence for a personal encounter in real time and space. You cannot scroll, swipe, or post your way through it: you must be there, in the moment, to experience it in the flesh and receive its understanding, knowledge, and wisdom though perhaps never a word will be said.
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In celebration, Crave has compiled a list of the 10 best art exhibitions of 2017 that take us from the turn of the twentieth century right up to the present moment, with historic exhibitions of African American art on both sides of the pond, as well as long-awaited retrospectives from the likes of Rene Magritte and Raymond Pettibon.
As the year comes to a close, the one thing we may all agree on is that 2017 has introduced “the new normal.” Forget how it’s supposed to be, this is how it is. Information and disinformation moves at the speed of light in a constant onslaught, spinning through your space like a tornado over and over again. It’s enough to drain and depress, if you allow yourself to get caught in its relentless grip.
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The best way to deal with things out of your control is to redirect your energy into what is within your purview. The things you read and surround yourself with can energize, uplift, inspire, enlighten, educate, and empower you. To that end, we may turn (even return) to books for solace, wisdom, and insight from those who have been here before and had the presence of mind to record their insights.
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Crave selects the 10 best art books of 2017, with an eye towards hope, justice, and understanding who we are and where we’ve been so that we know where we’re going for the sake of our own – as well as future generations.
Farah Behbehani, Love rests on no foundation II. From Signs of Our Times: From Calligraphy to Caligraffiti (Merrell). Read more at http://www.craveonline.com/art/1355547-10-best-art-books-2017#iCuHZWmeUhBWIBgZ.99
The photography book is like a repository of soul, a place where spirits linger long after they have left the mortal realm. Here a fragment of time is frozen forevermore so that we may gaze upon it with awe, with understanding, with curiosity and questions. It is a magical space where three dimension become two, and we can transport into other eras and other realms, into private lives and public spheres of influence.
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When collected as a book, the photograph takes on another role: it becomes evidence of the past and a message to the future. It becomes something we bring into our homes and set on our shelves, awaiting the moment we choose to pick it up and nestle it on our laps, absorbing each image page by page in quiet contemplation of wisdom that speaks beyond words.
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Crave has selected ten of the best photography books of 2017 that speak to who we are and where we’re been to help us understand where we’re going in 2018.
Artwork: Awol Erizku, “Same Ol’ Mistakes” – Rihanna, house and spray paint on OSB, 2016
What a thrill to see Awol Erizku and Olivia Locher chosen for Forbes “30 Under 30” list – as well as all the amazing talents that prove the future is now.
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In the past year I’ve had the great pleasure of interview Erizku for Crave Online and Locher for Dazed. Cheers to a bright future already playing out on the world stage
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Photo: In Ohio it’s illegal to disrobe in front of a man’s portrait. Photography Olivia Locher, published by Chronicle Books 2017
Where else can you find the Jean-Michel Basquiat sleeve for K-Rob vs. Rammellzee’s legendary Hip Hop cut “Beat Bop” hanging on the wall like a work of art in the very same building where Jean-Michel’s original paintings once hung during his lifetime? The NY Art Book Fair, naturally.
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Printed Matter’s famed book festival returns to MoMA PS1 this weekend, and it will literally take your breath away, with a line up of more than 370 booksellers, antiquarians, artists, institutions, and independent publishers from 28 countries around the globe. The fair, which runs through 9pm this evening and tomorrow, September 24, from 11am–7pm, is a phenomenal opportunity to catch up with your faves and check out the latest happenings.
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The NY Art Book Fair covers all price points, whether you wish to pay what you want for the phenomenal zines by Research and Destroy New York City or you have 5Gs to pony up for a David Hammons original painting of Michael Stewart, at the Printed Matter Rare and Out of Print booth.
Photo; Dawoud Bey. A Boy in Front of the Loew’s 125th Street Movie Theater 1976, Printed by 1979. Gelatin Silver print 230 x 150. Featured in “States of America: Photography from the Civil Rights Movement to the Reagan Era“
Fall is when everything begins, as the new season kicks into gear and people get in the swing of things. As your calendar fills up, there’s no better time to get away from it all and dip into a museum to catch an exhibition that will inspire the soul and inflame the mind. Crave spotlights five of the best new shows opening this season, each one a phenomenal collection of art and ideas.
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States of America: Photography from the Civil Rights Movement to the Reagan Era
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The history of the United States is a multifaceted mosaic of experiences, tiled together around a fragile center that exploded in civil war in the nation’s first hundred years. In its second century, it was rocked over and over again by peoples determined to live into the rights guaranteed under the Constitution against those who would deny them. From the 1960s through the 1980s, the nation faced some of its greatest challenges, from the Civil Rights Movement, which spawned the Women’s and Gay Liberation Movements, to the devastation of COINTELPRO and a government that willfully used illegal measures to destroy its people from within.
Photo: Hope and Promise by Jamel Shabazz. Photo by Luna Park. Courtesy of Art in Ad Places.
“People are taking the piss out of you every day. They butt into your life, take a cheap shot at you and then disappear. They leer at you from tall buildings and make you feel small. They make flippant comments from buses that imply you’re not sexy enough and that all the fun is happening somewhere else. They are on TV making your girlfriend feel inadequate. They have access to the most sophisticated technology the world has ever seen and they bully you with it. They are ‘The Advertisers’ and they are laughing at you,” Banksy wrote in his 2004 book, Cut It Out.
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People intuitively sense this kind of neg, their egos becoming more increasingly defensive and critical while simultaneously entertaining the lengths advertisers will go to win them over. In the court of public opinion, the attention we are willing to give them serves as costs paid.
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Art in Ad Places, a New York City public service campaign, understands this, and has taken the high road by transforming the landscape with public art. Every week throughout 2017, the organization partners with a contemporary artist, installing their works in payphone kiosks across the city in order to reimagine the way we see the world.
Artwork: Rihanna at Crop Over 2017, Barbados // Plate from Ernst Haeckel’s ‘Kunstformen der Natur’ (‘Artforms of nature’), 1904. Courtesy of TabloidArtHistory.
“Everything has already been done,” Stanley Kubrick opined “Every story has been told. Every scene has been shot. It’s our job to do it one better.”
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Perhaps this is true—perhaps it is not. It’s impossible to know that which has never existed until it takes form. But one thing is for sure, and that’s the power of myth, which speaks of human nature’s relentless desire to find a narrative that makes sense out of the chaos and complexities of existence.
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We do not need to look all the way back to mythologies of yore, to the heroic, monstrous, and villainous archetypes that have inspired great art, music, and literature in all cultures across time. The classical ideals of god, mortal, and beast have so completely subsumed our conscious (and even unconscious) minds that we simply follow the script.
Artwork: Prince Harry at a pool in Miami, Florida, 2014// ‘Portrait of Nick Wilder’ (detail), by David Hockney, 1966. Acrylic on Canvas, 183 x 183 cm. Courtesy of TabloidArtHistory.
Artwork: A pregnant Beyoncé amongst flowers, Mother’s Day 2017 // ‘Mary Little, later Lady Carr’ by Kehinde Wiley, oil on canvas, 30” x 24”, 2012.Courtesy of TabloidArtHistory.
If Juergen Teller had a theme song, it would be “My Way,” but not the Frank Sinatra version. No, he would make sure to subvert your expectations at every turn, and cue up the Sid Vicious cover. Like Sid, Juergen is so anti-glamour that he’s chic, always finding a peculiar beauty and joy in the uncomfortable.
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His new book, Enjoy Your Life! (Steidl), published in conjunction with the recent exhibition at Martin-Gropius-Bau, Berlin, embraces the ethos the unexpected. Because what gives life a greater kick than catching you off guard with the curious and the absurd. Teller loves to hone in on things we usually ignore, or look at them from a new vantage point, demystifying their aura and allure. On the reverse, he finds a queer loveliness in things we might otherwise think a bit grotesque, savoring all of the pleasures of our strange and quixotic existence.
Photo: A GOES-13 satellite view of the full disk of the Earth. (Source: NOAA)
“Every night, the TV news is like a nature hike through the Book of Revelation,” Al Gore wryly observes in An Inconvenient Sequel: Truth to Power, the new film from Paramount Pictures that hits theaters nationwide on Friday, August 4.
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These words were spoken before a Delaware-sized iceberg broke off the Larsen C Ice Shelf in Antarctica in July—a reminder of the speed in which climate change is taking place, making it virtually impossible for us to fathom the radical and potentially irreversible environmental transformation now taking place. The outlook is grim, in light of just how much worse things have gotten since Gore released An Inconvenient Truth in 2006.
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In the original film, Gore was widely chastised for predicting that Manhattan would be flooded by a catastrophic storm. Then Hurricane Sandy hit in 2012, and Gore was proven correct. But An Inconvenient Sequel is no “I told you so.” It is the work of a true believer who remains optimistic and faithful.
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Despite the dramatic and devastating evidence Gore presents throughout the film, which is profoundly traumatic and deeply unnerving, he is a true believer in the power of human potential to right the wrongs of the past and reverse the slippery slope to annihilation.
My very first crush was on Animal, the wild-eyed drummer for Dr. Teeth and The Electric Mayhem, the house band on The Muppet Show. I might have been somewhere around three or four, and Animal was the most relatable guy I had ever seen. He spoke no words and was a creature of pure id. That he was a rock star added to his allure, as his flying mane and choke chain.
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You might think to yourself, perhaps this is a bit extreme for a children’s television show. But that’s the joy of The Muppet Show—it spoke to people of all ages at the same time, reaching different audiences without offending anyone. Jim Henson, the mastermind who created the show, skillfully weaved subversive humor into the classic vaudeville format, and then added the perfect twist: all the characters were puppets, and yet they were drawn from life.
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Kermit the Frog, the soulful leader, was inspired by jazz trumpeter Kermit Ruffins; his girlfriend Miss Piggy was the perfect incarnation of the chauvinist pig, whose appearance during the 1970s exemplified the good, the bad, ad the ugly sides of the gender wars that had been raging for years. Fozzie the Bear was a classic Yiddish comedian who played the Borscht Belt and was woefully out of sync with the times yet as lovable as any wacky uncle at Thanksgiving dinner.
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Children might miss all of the cultural clues and still appreciate The Muppets for the sheer joy that a madcap troupe of performers promises. Plus there’s a slight twinge of utopian ideal at play: no matter what walk of life you come from, you are welcome here, so long as you put your heart and soul above all.