wame Brathwaite, Grandassa Models at the Merton Simpson Gallery, New York, ca. 1967.

While Dr. Martin Luther King Jr. used nonviolence to push for Civil Rights and Malcolm X embraced the ethos of Black Nationalism to fight injustice in the United States, Brooklyn-born photographer Kwame Brathwaite turned to the teachings ofPan-Africanism and Marcus Garvey to introduce the “Black Is Beautiful” movement in the 1960s.

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Rejecting the standards imposed by Western cultural hegemony, Brathwaite and his brother Elombe Brath embraced African aesthetics, creating Grandassa Models in Harlem and Naturally 62, a fashion show that set the groundwork for a global revolution in fashion and beauty. With the introduction of “Black Is Beautiful,” the brothers helped to popularize natural hair, a full range of skin tones, and African styles across the diaspora.

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“I have been called ‘The Keeper of Images,’” Brathwaite writes in Black Is Beautiful: The Photography of Kwame Brathwaite, selections from which are currently on view in a major museum tour across the United States. “My task has been to document creative powers throughout the diaspora—not only in our Black artists musicians, athletes, dancers, models, and designers, but in all of us….I have often been asked how I was granted so much access as a photographer. It was the fact that people trusted me to get it right, to tell the truth in my work.”

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Kwame Brathwaite, Marcus Garvey Day Parade, Harlem, ca. 1967
Man smoking in a ballroom, Harlem, ca. 1962.
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