Arlene Gottfried: Mommie

Last summer I had the great pleasure of speaking with Arlene Gottfried at length, well, listening mostly, listening and asking questions and then listening again as Arlene spoke of her life behind the camera. A second generation New Yorker, Arlene has born witness to the people that have made this city one of the greatest places on earth. Her photographs never fail to delight and astound with their distinctive blend of compassion, style, and grace, with a knowing nod, a giggle, and a wink. This is New York, after all.

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Arlene is unassuming yet powerful. The intensity of her presence can best be felt when looking at her photograph or listening to her sing gospel. I remember hearing her in church on several occasions, overwhelmed and overjoyed by the spirit she channels. It is this spirit, this very soul, that makes Arlene one of the most compelling artists I know. And so it was with great honor that last summer I interviewed Arlene about her life, her family, and her work for her forthcoming book, Mommie (powerHouse Books).

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I remember seeing the mock up for Mommie at powerHouse years ago, once again overwhelmed by the depth and profundity of her work. To be honest, I was not ready for this level of truth, this intense bond between generations of women, all flowers from the same root. Mommie is Arlene’s fourth book with powerHouse, and perhaps the most personal of an incredibly intimate body of work.

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As I listened to Arlene speak, I realized she was a woman who has kept a great many private matters just so, and with Mommie she was sharing more than her memories, she was baring witness as the family historian. As time passes, we come to terms with the eternal circle of life and death and birth once more. With Mommie, we quietly observe, we feel, and we think; Arlene’s photographs have the cumulative effect of softly sinking into your body and changing the very nature of your being.

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In that same way, the book is an object unto itself, an object to be held, much like a family album. powerHouse would like to use real upholstery fabric to wrap the book’s boards (the front cover, spine, and back cover) and has decided to create a Indie GoGo account to support the production costs. In order to share Arlene’s story, they asked me to interview her a couple of months ago, and this time, Arlene sang “Amazing Grace,” a moment that be stilled my soul.

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The video is now live, and the Indie GoGo campaign has begun. We invite you to visit the campaign at MOMMIE, and support the project. Among the rewards offered are Arlene’s first three powerHouse Books: Bacalaitos & Fireworks, Midnight, and Sometimes Overwhelming, each one a treasury of New York City history, street photography, and style, each one a love letter from the bottom of her heart.