When Arlene Gottfried passed in 2017, the world took note as The New York Times ran one of her photographs on the front page of the Saturday edition and a full-page obituary inside. After a lifetime of picture making, it was a fitting tribute to the artist who had gone largely unheralded in her own lifetime.
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But Gottfired did not travail in obscurity. The author of five monographs, Gottfried’s spent her sunset years basking in the critical glow of two well-received exhibitions, Sometimes Overwhelming (2014) and Bacalaitos and Fireworks (2016), thanks to the work of New York gallerist Daniel Cooney.
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On September 13, Cooney will present Arlene Gottfried: After Dark, a selection of black and white photographs made on the streets, in the nightclubs, dive bars, back alleys, and drug dens of New York in the 1980s. Gottfried’s portraits reveal a profound sense of beauty made with exquisite sensitivity and care to the impact of poverty, addiction, and crime on people plagued by the effects of systemic oppression, generation after generation.
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