atural extension of Manifest Destiny, the mythic American road trip supposes freedom can be found on stolen land. Crafted by colonisers, the belief that one could simply jump in a car to escape the oppressive confines of society was a privilege granted to and moulded for the self-actualisation of, by and large, white men. 

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But those without their protected status have long warned of America’s vast network of highways and roads. In 1936, Victor Hugo Green, a Black travel writer hailing from Harlem, began publishing The Negro Motorist Green Book – a handbook showcasing stores, motels, and gas stations that welcomed Black travellers in New York City. An immediate success upon release, Green expanded coverage to include other US destinations in annual editions over the next 30 years.

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“The Green Book is a testament to the courage, perseverance and unwillingness of Black Americans to be cast aside. But, it also told of the legitimate fears and threats that awaited them,” says Amani Willett, author of the new book A Parallel Road (Overlapse), a five-year project that examines the American road trip from a Black perspective.

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Cover of the Green Book, 1940
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